Tascam’s DA-3000 records analog and digital signals up to 192 kHz PCM or 5.6 MHz DSD. Going into the Tascam DA-3000 analog, it’s capturing exactly what I’m hearing, with no coloration.” Every little thing is important for that beautiful, lovely, warm, wonderful sound we all work to get. You record drums, you record bass-even metal stuff, the guy’s got his guitar just ripping your head off but there’s dynamic range in every note that he plays, and you have to capture it. And that only happens if they get recorded at a frequency where you can hear them. But the other thing, which a lot of people don’t do, is making sure the low things come up, so that they don’t get lost. “One is to make sure that the high things don’t slam. “There are two ways to mix a project,” Citron instructs. “When Tascam came up with the DA-3000, for me, it was perfect because I record in an analog world,” he relates. Recently, Citron has become a big fan of Tascam‘s DA-3000 stereo master recorder and ADDA converter.
He has taught actors to play music for films, including coaching Meryl Streep for Ricki and the Flash played in, wrote for, and more recently engineered for Quiet Riot produced at and ran Steve Vai’s The Mothership studio and countless other credits. Whether playing guitar and songwriting for prog rockers BangTower and other bands, working on hit films like My Big Fat Greek Wedding, or engineering for such artists as Steve Vai, Steve Lukather, and Larry Carlton, Grammy Award-winner Neil Citron is valued for his musicality and his ears.
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